The Venice Biennale (La Biennale di Venezia) has
for over a century been one of the most prestigious cultural institutions in
the world. Ever since its foundation in 1895, it has been in the avant-garde,
promoting new artistic trends and organising international events in
contemporary arts. It is world-beating for the International Film Festival, for
the International Art Exhibition and for the International Architecture
Exhibition, and continues the great tradition of the Festival of Contemporary
Music, the Theatre Festival, now flanked by the Festival of Contemporary Dance.
In 2013, the Biennale
presents the 4th International Kids’ Carnival (2 to 12 February), training and
performing activities within the Dance section (2 May to 30 June), the 55th
International Art Exhibition (1 June to 24 November), the 42nd International
Theatre Festival (1 to 11 August), the 70th Venice International Film Festival
(28 August to 7 September), and the 57th International Festival of Contemporary
Music (4 to 13 October). New permanent activities run alongside these major
events, thanks to the newly available refurbished permanent sites in Venice
(Ca’ Giustinian and the Sala delle Colonne for exhibitions and meetings; area
for kids; new Biennale Library-ASAC at Giardini for study, research and
meetings; Workshops and Educational activities featuring master classes,
projects for schools and guided tours; in addition to the Historical Archives
of the Biennale at ASAC-VEGA and its collections available for consultation).
In specific, the 55th
International Art Exhibition of la Biennale di Venezia under the artistic
direction of Massimiliano Gioni carries the title: "Il Palazzo
Enciclopedico / The Encyclopedic Palace". With this choice Massimiliano
Gioni is evoking the self-taught Italian-American artist Marino Auriti who on
16 November 1955 filed a design with the US Patent office depicting his Palazzo
Enciclopedico. This imaginary museum was meant to house all worldly knowledge,
bringing together the greatest discoveries … in a 136-story building that would
stand 700 meters tall and take up over 16 blocks in Washington, D.C. "Auriti’s
plan was never carried out, of course, but the dream of universal,
all-embracing knowledge crops up throughout history, as one that eccentrics
like Auriti share with many other artists, writers, scientists, and prophets
who have tried—often in vain—to fashion an image of the world that will capture
its infinite variety and richness."
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